Tuesday, April 26, 2011

S.A.C. Guelph! Feb 2010 Minutes


My Own Personal Set List (Disasterous and Brave as it was):
1. We Are Music
2. Christmas Trees
3. Secrets 'n Lies (with drums trying to learn the breaks)

*
I am trying to post the i-phone 2:22 voice memo from 7:53 last night.

Jerry and I worked on the tune I'd brought because we were the only members to show up until about 8pm, when a newbie stopped by and we all chatted, before trying our best to "JAM" at the open stage, lol.

*
i showed up with this:
Am F G Am
you're the coldest, most beautiful winter i can remember
frozen fog hangs in the air, confusing the clever
and snowmobiles on mainstreet rev like bikers in off season
and hoar frost in the forest's sugar coating all the reasons

we made up this to work with for the chorus, and jerry hummed me a made up variety of melody to go with the idea that i don't want to hold him while he cries over you...
C Em Dm Am
C Em Dm G
C Em Dm Am
C Em Bdim A

with any luck, this one's a rocker, ha.

p.s.
i loved it that we were late for the writing of new tunes.
i am to email out an assignment/challenge to the fb group for our next meeting.

Mar 9 2010


Notes from the Winterfolk Song Evaluation

The SAC is an organization for songwriters, run by songwriters.  Ania is very brave.  I think it would be nice to see the lyrics overhead at these events like we do at the Wheatley/Gordon songwriting workshops.  Perhaps the host could provide more background or intro of each of the participating songwriters?

Here are a few thoughts I left with:
It is safer in the folk world than pop.  A publisher needs to tailor each pitch, between arguments with lawyers.  A producer can be a handholder.  Someone you hire because you'll respect their opinion.  (But then you disregard it anyway, ha)  The first guy's song had a long pause before the chorus and gaps between lines, giving one the "better be good" feeling…  They set aside the state of the art production in other cases and looked hard at the lyric, listening hard to the vocal. (using phrases like tuning corrections? pitchy?)

Important ways a song earns $$$

1) Reproduction rights (mechanical)
2) Performance rights (SOCAN, live, tv, radio, video games etc.)
3) Sychronisation rights (film, ads, t.v.games.  is this a one time liscence fee?)
4) Print (sheet music)

*
"magic words" etc. - Neville Quinlan, John Switzer

Comments from CMW 2010

I was really relieved that mine wasn't pulled out for the Song Evaluations

First of all, at these things they only seem to look at the words.  That bababa baby is only about the melody and sing along fun.  People love it.  But I couldn't take an evaluation from those folks in a room that big like that.  Why did I even put one in the box?

I have much more to say.  But there is no draft function on the myspace blog... so I will finished publishing later, lol

i don't even know which blog vs. facebook profile it belongs on, ha.

*
notes for the SAC ? 
more strong structure commentary. more explanation of what is happening, inclu more feedback on anything that's working...

Feb 2010 Agenda/Minutes


SAC, Guelph Regional Writers Group Meeting Agenda

purpose of the meetings  EDUCATION ADVOCACY AND COMMUNITY
> to establish/strengthen a local network and community of fellow writers; to provide an educational program improve craft and enterprise of songwriting (i.e. to offer song evaluations during open stage performances, games/exercises, and additional guest speakers).

[ ] sign posted, merch table set up 

[ ] self introductions (exchange biz cards? "where you're at with songwriting and what you hope to get out of a session like this.")
Y/N SAC member
Y/N Socan member
Y/N attended GRWG before
[ ] recap SAC benefits (brochure, magazine, song evaluation form)
[ ] industry news (upcoming events, highlights of recent SAC news)
[ ] biz topic
[ ] guest speaker/exercise
[ ] song performances at open stage
- with intros
- with evaluations
- with song structure commentary 
[ ] collect names for mailing list/fb group

Monday, April 25, 2011

1st Meeting Agenda & Minutes

Participant Introductions >
background as a songwriter/musician/performer
goals and intentions in attending

Round of Cover Songs
why not offer your voice, instrument and playing style with the performance of one cover tune; a brief overview of its song structure, content and form.

Originals!
personal reactions to tone and content, form, language, arrangement etc

set list:
mercy
this town
that look in your eye
she takes what she gets

attendees:
don, jack, dan

Wednesday, April 20, 2011

Hey Co-Writers,

I told you I went and sang our song at the installation right?  
Musagetes/MSAC residency: 
SONG FOR OTHERS
Over a period of four weeks in February and April 2011, Canadian artist Ehryn Torrell and Swiss artist Annelore Schneider (of collectif_fact) have been developing a collaborative residency project in Guelph. Their project explores ideas of home, intimacy and vulnerability through communal activities like playing with snow, walking, conversing,  communal teas, sound recordings, blogging and public broadcasts. Through planned public events as well as chance encounters, Torrell and Schneider are forming relationships with people in Guelph, aiming to create a bond that allows for trust, exchange and risk-taking. 

Torrell + Schneider's main project, Song for Others, is a sound piece created from over 60 recordings of Guelph residents singing for someone else. The songs were not recorded as "performances" or "dedications," but rather as a re-creation of actual events, a time each participant sang to change someone's mood, calm them to sleep, or simply to make them laugh. From these recordings, they have created a sound piece that will be broadcast live THIS THURSDAY APRIL 21, 2011! 

The archive will be available on http://www.cfru.ca/  

Tuesday, April 19, 2011

Song Evaluation Request Form (Re:SAC Event)

Track#:

Song Title:

Songwriter's Name:

Please comment on
[ ]  songwriting
[ ] performance
[ ] demo quality
[ ] commercial appeal

The purpose of my song is:
self interest/hobby
intention to record
intention to shop to other artists to record

Friday, April 15, 2011

Minutes, Jan 2011

This session took place at Folkway Music and featured one of the instructors, Ian Reid with a brief performance and some words about his experience as a songwriter.

Attendees:
Jason B
Doug
Bob
Robin
Peter
Kiera
Jay

At least one person was inspired to purcahse Ian's CD for $15.  And, there was quite an engaging discussion about the key of C.

"Sorry I'm late, but basically, I got the email and got right in my car and drove out of Toronto."

Highlights from the set list include:
Venus
Life Can Be UP

Thursday, April 14, 2011

Minutes, Wed April 13, 2011

Gordon Taylor Music was proud to host the Songwriters Association of Canada's GUELPH Regional Writers Group Meeting, 7-9pm.  


The sign doesn't show up very well in the photograph:
STORE WIDE SALE. 
PACKAGES ON ALL INSTRUMENTS. 
40 years.



Attendees 

Sean, Jay, Paul









Peter, Nicole, Don




Set List 


Lifestory, 
2 Short Science Songs, 
Why Don't You Care?, 
Young, Old Man, 
Legend, 
Until, 
At Midnight


Next Meeting:
Sunday, May 15, 1-3
Jam School, Woodlawn location
with mp3 email following!

Wednesday, April 13, 2011

Agenda

meetings background,
thanks to venue (overview of services?)
benefit of SAC
future events

self-introductions
incl merch, events, networking
where you're at with music and songwriting
what kind of feedback or exercise looking for here?

original song in circle
feedback


mailing list?
requests?

S.A.C. Guelph! Dec 2010 (Surprise)

meeting: Nov 23, 2010  6-8pm
location: Folkway Music
attendees: Don S(SAC member), Claire (staffer), Eva (student), Stephen B (student), Peter L(SAC member), Stephen G (newcomer)
regrets: Jay, Robin
set list: Ride Free, Untitled, Love Me Back, What Else Can I Say, The Way The World Turns, My First Christmas Without You, Gotta Drive

Tuesday, April 12, 2011

S.A.C. Guelph! Feb 2011

photo by Claire Begin
Attendees = We were so lucky to have a feature performer Rich Burnett, also one of the amazing teachers at Folkway Music.  He had prepared a lesson plan specially for us!

Peter Y (both pictured left) is about to release his own recording, are you on the mailing list?

This was also a great meeting because local teenage talents Cazzolla sisters shared some songs, as did a local Cajon craftsman Roelf.  Other performers as well included Olivia, Daniella & Jack SAC members from Toronto.

Did the SAC host perform any tunes?

Monday, April 11, 2011

S.A.C. Guelph! June 16, 2011

For the June S.A.C. Guelph! Writers Group Meeting, I think it would be fun to meet near the tennis courts at Exhibition Park.  There's benches there, and its protected from the wind somewhat too.  Near the swings and stuff.  C'mon, we'll find each other!

By then our S.A.C. Guelph! SongWriters Group will have had meetings at All-Together-Now, The Albion, Molly's Songwriters Open Jam, Folkway Music, Gordon Taylor Music and Jam School.  Tis the season to take it outdoors!

For the second Saturday in June, please bring acoustic instruments and lawn chairs or picnic blankets to sit on, along with your songs and instruments!

Think of it as a Hillside warm-up kind of thing, ha.  How about at noon?
*
We're in for Hillside "Performing Arts Tent" by the way.  Just got the note today.  Plan to bring your instruments with your songs for those workshops too!


The S.A.C. Guelph! Song Circle invites Hillside guests of all ages to share their original music during the festival, on the musically magic, song-sacred island as it is glowing with talent and teeming with a constructive, genteel vibe.  Feedback from all listeners is welcome in a collaborative acoustic songwriters in the round.  Join us to  perform and/or to provide constructive feedback and critiques between tunes or to brainstorm works in progress..


Rain or shine, no doubt ha.  Remember this year?
photo by lynn broughton found on blogguelph

Sunday, April 10, 2011

S.A.C. Guelph! November 9, 2010

Folkway Music was proud to present the Songwriters Association of Canada's GUELPH Regional Writers Group Meeting.

Tuesday, November 9, 6pm

Attendees = Jay, Lonnie, Eva, Kim

Complimentary copies of Songwriting Magazine distributed.

Set List =
Venus,
Hard To Lee,
Jerome On

Next Meeting:
November 23

Thursday, March 31, 2011

Song Evaluation Worksheet

Song Title:

Time:

Style/Notes:

1) make one or two comments about what you pick up on, or that stands out the most for you - with the language - with emotions - with the music - the arrangement - the sonic quality of the words- the form/organization/content?


2) overall describe your own personal reaction (tone AND content):


"i liked ________________________________________________________  
it was good because _____________________________________________"
  "if you rework this tune you could try ______________________________.  
this would be good because ______________________________________________"

Wednesday, March 30, 2011

S.A.C. Guelph! May 2011

Mark you calendars!

As requested, our Guelph Regional Writers Group meetings are "on tour" to various music stores in the area.  Chances are you've already received the invitation to our April meeting at Gordon Taylor Music, but this will be the first you've heard of our event at Jam School!

Join us Sunday May 15, 1-3 pm for the usual song circle.

Participants at this session will have the option to receive a recording of their tune as an mp3 after the fact!  We are grateful to staff at Jam School for offering this extra benefit!

Consider this your advance notice, and mark down this weekend meeting.





519-763-8526

Thursday, March 24, 2011

S.A.C. Guelph! July 23 & 24, 2011

The July meeting will take place in the Performing Arts Tent as two one-hour workshops!!


The S.A.C. Guelph! Song Circle invites Hillside guests of all ages to share their original music during the festival, on the musically magic, song-sacred island as it is glowing with talent and teeming with a constructive, genteel vibe.  Feedback from all listeners is welcome in a collaborative acoustic songwriters in the round.  Join us to  perform and/or to provide constructive feedback and critiques between tunes or to brainstorm works in progress..


p.s. have you seen my moved to guelph because of-hillside fan-club blog?

Tuesday, March 22, 2011

S.A.C Guelph! - April 2011

Wednesday, April 13   7-9pm

Location
Gordon Taylor Music
127 Woolwich Street
Guelph, ON

More Info
All are welcome to a collaborative songwriters in the round, with time in the meeting to brainstorm songs in progress, while at the same time strengthening a network of fellow composers and musicians.


Participants listen, perform as desired and provide constructive feedback and critiques between tunes. If you can, bring 5 printed copies of your song for sharing.


Join us because your songs can play a spiritual and intellectual role in society, and be of profound and lasting benefit to humanity. And to you. And us!


Further info is available at sac.guelph(at)gmail.com

S.A.C. Guelph! March 2011 ~ Minutes

 chart, including copyright credit

Wednesday March 9, 7-9pm at Folkway Music, was our first time writing a full tune together, from the ground up.

"After hosting these meetings for almost two years, and rarely even taking a turn in the song circle, I was honoured that folks would get behind My Mission that day.  They were all so willing to offer their talent and effort on a project that I really wanted to execute...

We wrote a song for my sister's birthday and skyped it to her, and the friends she was out for dinner with, in St, Louis, at the conclusion of our writing session.  It was awesome!
-- KL

Here's the video. 
The tune has been registered with SOCAN.  Is your member number on it?





Friday, March 04, 2011

March 2011 Meeting Minutes

S.A.C. Guelph!  Regional Writers Group Meeting, EDUCATION SESSION


Tuesday March 8, 7-9pm
$5 Advance S.A.C. member* or  $10*
(with receipt so you can write off this expense!)
Limited # participants and prices may change! 
reserve discount asap by email to sac.guelph@gmail.com

Making $ with Music? is about performance royalties, music licensing, and even accounting for your musical endeavours!

We know that profit is not the point of your art.  Nonetheless, S.A.C. Guelph! is pleased to present this educational roundtable discussion about expectations of financial profit.  We are bringing together a panel of experts to share valuable information intended to help you benefit from your creative endeavours!

"It doesn't matter what you think, it's what the audience thinks!" Rick Levine has a radio background and experience as a recording artist.  He will present information from his Music Entrepreneurs Seminars about protecting your copyright, music licensing and performance royalties.



Are you a musician with a day job? Don't give the tax man a free lunch! Have some fun with Ross Durfey, a local accountant who will discuss the feasibility of treating your music as self-employment, even if you aren't yet generating much profit.  He is on the Hillside Finance Committee and comes highly recommended by a client list that's a who's who of the local music scene.  

Kim Logue is a natural promoter, able to develop artists and guide them to improve their bottom line. As the Volunteer Coordinator for the Guelph Regional Writers Group, she facilitates feedback for performers in a monthly song circle ~   to instigate collaboration.  She will facilitate a discussion about managing your fan base and also wants to discuss the idea of continually having something new to sell!  Will any recording studio experts join in the discussion?  
_____________________________________


The Songwriters Association of Canada, Guelph Regional Writers Group Meeting Series continues, this month with meetings at Folkway Music 163 Suffolk St W in Guelph!

Tell Us Where You're At With Songwriting:




This list of questions was lifted from a recent interview done by the SAC for their new on-line magazine, but it makes a good list of discussion topics to draw on when doing a self-intro at an S.A.C. Guelph! Regional Writers Group Meeting


What got you started writing songs? 
What comes first– the music or the lyrics? 
At what point do you think about the arrangement of the song? 
Where do the lyrics come from? 
Have you ever written to a pre existing lyric? 
Have you ever written to a pre existing track? 
What are your favourite themes to write about? 
Is there a concept that you have yet to write about that you’d like to write a song about?
Are there any rules to songwriting that you consistently adhere to? 
Is there a songwriting rule that you continually ignore? 

Monday, October 22, 2007

INVITING AUDIENCE ENGAGEMENT

pulling transitions
1) silence
2) movement/gestures
3) internal summaries

pushing transitions
1) visual aids
2) questions
3) sequences/numbering

Wednesday, October 10, 2007

HOLIDAY DANCE PARTY

was my table topic, this morning so I did a commercial for the Diggers Christmas Concert and for Hillside (which should be a holiday).

The speech I had to evaluate was called "The Birth Partner" and I commended the speaker for his pre-home-birth-planning as the husband/father/birth partner in the home birth I was lucky enough to be present for was soooooooooooooooooooo ILL (non) prepared. I also suggested that they were in it together for whatever the universe has in store for them (vs. speaker's perspective of his job being to support his wife in the birth she desires) and was a little surprised when ppl laughed. And the General Evaluator said that the the suggestions I made to the speaker about his presentation skills were two pieces of good advice... I was glad I actually hauled myself out of bed on time to make it to the meeting!

Wednesday, September 26, 2007

TABLE TOPICS MASTER ROLE:

When introduced, you walk up smartly to the lectern at the front, smile and shake right hands with the Chair person. When he/she is seated, you address "Chair, Toastmasters and Guests" and say your brief introductory piece.

If the Chair has not said these things already, tell us (making necessary changes to fit your TableTopic plan):
"You have less than a minute to prepare.The goal is to have an "opening", a thought or two, and an "ending" within one minute. When finished, we vote for the best presentation. The winner gets a Trophy -- to keep for the rest of the meeting. You will receive an envelope with topics in it...
Guests should feel free to take a topic, look for a good one, or just pass it on if they would rather not speak. Speakers and Evaluators have the privilege of passing.

No-one should pick a topic until the person next to them has stood up to speak -- so everyone will have the same time to prepare.

The Timer will turn on the "green" light at 30 seconds, the "amber" light at 45 seconds and the "red" stop light at 60 seconds -- when we will applaud.

Use the word of the week a few times and you may earn two trophies!"
*
There are many variations in how to do Table Topics.

One way is to write the topics on small pieces of paper and put them all in an open box or envelope for easy access. If the topics are not folded it is easier for people to "peek" at several before they take one. This is a mixed blessing.

Another way is to have a big bag of objects (or envelope of picture clippings) which apply to the meeting Theme and ask people to pull one out to talk about.

Hand around a book or dictionary. Have us open it at random, announce the first significant word on the top left page, and speak on it.
HARVEST

"Maybe "Communicating on Television" is one of the Advanced Manuals that you would find interesting. They are listed in the Communications Manual and on the Toastmasters International website at //www.toastmasters.org"

*
its true that i thought i was attending as a spectator for the humour contest and ended up accidentally re-joining the cult -- taking on a role for next week no less... ha!

Thursday, April 05, 2007

dues are due, so i guess you could say i am on hiatus.

Sunday, January 28, 2007

VOICE PROFILE

Loudness or Volume
Too quiet 1 2 3 4 5 Good Projection
Inaudible 1 2 3 4 5 Easily Heard
Flat 1 2 3 4 5 Vibrant/Dynamic

Pitch
High 1 2 3 4 5 Low
Shrill 1 2 3 4 5 Full
Monotonous 1 2 3 4 5 Varied

Voice Quality
Nasal 1 2 3 4 5 Open
Breathy 1 2 3 4 5 Clear
Harsh/raspy 1 2 3 4 5 Mellow
Lifeless 1 2 3 4 5 Enthusiastic

Articulation/Word Usage
Slushy 1 2 3 4 5 Clear
Lazy lips 1 2 3 4 5 Crisp
Tangled tongue 1 2 3 4 5 Controlled
Tight Jaw 1 2 3 4 5 Projection
Mumbling 1 2 3 4 5 Pronunciation

Timing/Rate
Jerky 1 2 3 4 5 Smooth
Slow/plodding 1 2 3 4 5 Fluent
Unvaried 1 2 3 4 5 Varied/exciting
Hesitant 1 2 3 4 5 Deliberate

Vocal Variety
Emotionless 1 2 3 4 5 Conveys emotion
Unfriendly 1 2 3 4 5 Genial
Strained 1 2 3 4 5 Natural
Dull 1 2 3 4 5 Vital
EVALUATING THE BODY'S SPOKEN IMAGE - Judge Worksheet

Posture

Nervous/Uneasy 1 2 3 4 5 Poised
Uncertain 1 2 3 4 5 Confident
Uncomfortable 1 2 3 4 5 Comfortable
Slouching 1 2 3 4 5 Erect
Stiff 1 2 3 4 5 Relaxed


Gestures
Artificial/Wooden 1 2 3 4 5 Natural/Spontaneous
Random 1 2 3 4 5 Meaningful
Passive 1 2 3 4 5 Lively
Furtive 1 2 3 4 5 Expansive
Vague 1 2 3 4 5 Precise
Detacted from verbal message 1 2 3 4 5 Enhanced verbal message

Body Movements

Lifeless/dull 1 2 3 4 5 Fluid/animated
Awkward 1 2 3 4 5 Graceful
Random 1 2 3 4 5 Purposeful
Drew attention away from speech 1 2 3 4 5 Enhanced attentiveness to speech

Facial Expression

Deadpan 1 2 3 4 5 Animated
Unfriendly 1 2 3 4 5 Friendly
Artificial 1 2 3 4 5 Natural/genuine
Incongruent 1 2 3 4 5 Appropriate to content

Eye Contact

Forced/artificial 1 2 3 4 5 Natural/smooth
Followed set pattern 1 2 3 4 5 No set pattern
Did not establish visual bonds 1 2 3 4 5 Established bonds with listeners

Tuesday, November 07, 2006

The title of my speech today is Why Guelph?

I found myself here in mid May, for no other reason than the fact that I have always wanted for some reason to live here. I took the first apartment ad I found in the paper. And, I have been asking Why Guelph, of myself, and of other people ever since. And all the varying reasons I have accumulated are consistent in the fact that Guelph is great place to be!

Fellow Toastmasters,
The purpose of my speech today is to tell you Why Guelph for me.

1) The Arts and Music Community
How many people here have been to McClelland Art Centre?
I don’t know how many of you consider comics "art," but the proprietor of grooviest comic shop in all of Toronto was the one that told me Guelph has more comic book artists per capita than any other place he could think of.

2) The University. How many people saw the front page story on the Guelph Mercury last week where U of G was announced at the the top of Maclean’s list? My cousin got his phd from the University of Guelph, and in the course of his business he speaks to many, many horticultural professionals from around the world. I recently heard through him that University of Guelph graduates have a sincere and lifelong loyalty to their school that does not compare to students elsewhere. I myself have recently become associated with Equine Guelph, the world reknown part of the U of G, which is famous for its innovations, research and the association with the revolutionary vet techniques, in support of the health and welfare of horses, issues very close to my heart indeed. Just as a sidenote I am doing the grooming lesson you all helped me with at the Royal Agricultural Winter Fair, and I want them to support a Horseweek presentation during horse week at Creativity Greenhouse on Suffolk St. next May.

3) Happy Hillside!To mark my 36th birthday, I attended Hillside Festival for the first time ever. The event at Guelph Lake on the Grant River Conservation Area offered cheap, veggie food and a relaxed and respectful attitude, between people and towards the environment – i loved the uniquely canadian, communal and genteel vibe. Sitting there on soft Ontario Green Grass, listening to the fiddle and the banjo, I decided “I am celebrating my birthday this way every year for the rest of my life” this very festival, on this exact conservation area. Hillside felt like home to me, like an event and a place I am connected to.

The modest half day of music was first conceived by a small group of friends and born on the Hillside farm site, and then moved to the banks of the Speed River at the Riverside Park bandshell. It has more than survived, it has thrived. i agree with the board member who said it is "delightfully difficult to tell one Hillside from the other: each year has people dancing, having fun, listening to great music, playing with children and eating good food.”

Sue Richards who was the first ever paid Hillside employee wrote: Weapon of mass love comes out of the closet. "A pivitol decision based on blind faith, a passion for live music and a love of Guelph." She now maintains Blogguelph and more recently said she was drawn here because Guelph is a hive of creative genius.

A Few More Hillside Facts:
The very first program was a single sheet photocopy folding in half stating “music celebration for all ages (noon – 11pm), and in in 1987 it moved to the island and became a 3 day event
in 1989 hillside was named as one reason Guelph is on the “top ten places to live in Canada”
1990 the first map from out of town was provided
1991 was the first year for poets and hat bands (draw to see who plays together)
in 1996 acoustic guitar magazine ranked hillside as one of the top festivals in NA
in 2000 hillsde released a cd, featuring live tracks, a sort of musical snapshot
in 2002 weekend passes sold out, and in 2003 Hillside launched on-line ticket sales. last year they sold out on line so fast it caught everybody off guard.

Toastmasters, volunteers need to check in March. And tickets go on sale May 1st. Although I also heard there might be a few up for grabs this Christmas....

Is there any time left in today's presentation to play Take a Guess Which Toastmaster? I would like to read you some answers of Why Guelph:

"Well, I picked up Guelph quite randomly. I was sending applications to different universities across Canada for my graduate school. But somehow only the University of Guelph accepted me. I can't even find the place from a map of Canada that I bought from Shanghai. But when I first got here, I thought Woo, this is a place that I probably won't get tied of easily. I have been here for over 4 years now. Isn't that amazing?!"

"I choose Guelph as a lifestyle choice. In Toronto we realized if we wanted to buy a house we would have to work way too hard. I was also tired of the fast paced side of life and the constant traffic. I find people in Guelph friendlier and the community is more supportive and interested in the environment, arts and alternative health. All subjects near and dear to my heart."

"Away back at the beginning, I decided that I wanted to help charter a new Toastmasters Club. I asked District 60 for a lead and they suggested Peggy Nagle. I found that I met and worked with so many younger and interesting people here that I have belonged ever since. That means getting up at 5:15 am to drive from Georgetown AFTER getting up with five hours sleep. This is a wonderful bunch of people!"

"Why Guelph? The University. At first it was the distance between Guelph and my home. It was far enough that I didn't have to live at home, but close enough that if I want to go home I could. And the U of G isn't a huge university. My final choice was made after visiting campus and feeling the overall atmosphere--people were actually polite here."

"My answer to #1 is that I work here."

"I moved to Guelph quite by accident. My parents decided to move to a small town, thinking it would be a more beneficial place for three kids to grow up. At first, my schoolmates weren't friendly (they didn't like girls whose ambitions weren't getting married and making babies). These days, my small town has become somewhat more open-minded, and most girls who grow up there go on to college or university."

"Why Guelph? well... my mom went to university here, my two older sisters went to university here, i have family close by, so if i came here for school i wouldnt be as homesick... i wasn't, and now i live with my sister in guelph, so its even better!"